Driven by his passion in Chinese culture, art and philosophy, Ben celebrates the beauty of life and the inevitable conflicts arise from within. Ben’s work explores aesthetic ambiguity and classic visual narratives with oriental cultural undertones; deploying freely both Western and Chinese ink wash painting techniques in an intriguing blend of abstraction, minimalism and lyricism. Ben’s work encompasses the artist’s lifelong pursuit of art as a means to truth, knowledge and spirituality.

Ben’s work in the realm of painting, fine art photography and design is collected internationally. He is the Founder and Director of Opus 130 Gallery, Opus 2 Private Art Club, the Hong Kong Visual Arts and Culture Society, and Artcollectthelist.com

Florence’s distinctive whimsical imagery fuse elements from pop surrealism, mythology and feminism. Her work explores the complex interplay between human, nature and the universe with emotional aesthetic of dream-like pastorals and Chinese folklore. 

Florence has held many solo and group exhibitions and her art and design work have been featured and collected worldwide. She graduated from The Hong Kong Polytechnic University with a degree in Fashion Design.

Florence is represented by Opus 130 Gallery.

Born in northern China 1994, He Zulin lives and works in Hong Kong, she finished her Foundation studies at University of Arts London Camberwell college and continued her study in BA fine art at Central Saint Martins.

The most recent work of the artist draw inspirations from memes culture. As an enthusiast herself, the artist wishes to explore the psychosocial complex of memes through art. By adding a few words in the painting, it may invoke a whole new universe of feelings. It could be playful, romantic or uncanny but most importantly, it only speaks to like-minded people. Through her work, the artist wishes to create a spiritual landscape to lay her emotions, or maybe yours. Like poetry, every work of hers embodies a state of mind that cannot be addressed directly but can only be alluded to.

Jessica Ng-Panikkar’s work explores memory, myth-making, fairy tale and Jungian archetypes. Drawing inspiration from her experience in classical singing and traditional Chinese painting, Jessica embraces the power of immediacy through expressive mark-making.

Jessica’s process is informed by the interplay of primal forces within the innocence of childhood. Her current fascination lies in exploring the concept of the “beast in the nursery”, often blending elements of the uncanny, the savage, and the tender in her imagery.